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Good ProtocolsWriting

Writing · 2026-09-15 · Civic Renewal

Stickers

Wendell Berry and the civics of staying

Paul Tan · Good Protocols, SPC · September 2026

Wendell Berry died at the end of August at his home in Port Royal, Kentucky, on land his family had farmed for seven generations, at ninety-two. He had written the sentence his neighbors are now quoting back to one another, that the forest does not withhold itself from death, and it is like him that the plainest line in the obituaries is his own. Every tribute reaches for the same summary of his life’s argument, that culture and agriculture were one word split by an accident of spelling, and I have spent thirty years learning that sentence from the other end. He came to civics through the soil. I came to soil through a neighborhood. We meet in the middle, at the ground where a community either takes root or does not.

The distinction I keep returning to is one he borrowed from Wallace Stegner and made his own in the lecture where he said it all turns on affection. There are boomers, who come to a place to take what it has and move on, and there are stickers, who stay, who love a place enough to become responsible for it, who are willing to be the ones still there when the season is bad. Berry was the great sticker of American letters. He left a career in New York at twenty-eight to go home to Henry County, and he stayed for six decades, farming and writing and refusing most of what modern life offered in exchange for leaving. The refusal was never the point. The affection was.

I have been watching stickers all year without naming them. A Lutheran pastor in Tacoma’s Hilltop who, when his denomination wondered aloud whether his church should close, chose instead to walk the neighborhood door to door through its worst decade, learning names, praying on porches, hosting the block groups that took the streets back. A farmer-turned-executive who left a larger organization on the mainland for a smaller food bank on the island where he actually lives. The families on my own avenue in South Seattle who have held their corner for twenty-nine years while the city sped past. None of them would call what they do civics. All of them are doing the thing Berry meant by it.

Because his civics was never about power. It was local affection with a shovel in its hand. Citizenship, for Berry, meant responsibility to a particular place and its particular people, the work of local culture, the willingness to know a piece of ground well enough to be answerable for it. That is a harder and older idea of civic life than the one we mostly practice now, in which citizenship is a set of opinions held at a distance from any dirt. It is also the idea young people are starving for. They are handed causes by every screen they own and a place by almost no one. What they want, when you sit with them long enough to hear it, is somewhere to be from, somewhere that would notice if they left.

So the work we are building for young adults has a place in it now, on purpose. A crew that learns whose land it stands on. A plot planted in one season whose harvest belongs to the next crew, so that staying becomes something you can watch grow. A page of Berry read aloud in the week the crew writes its own rules for how to treat one another, because a crew that stays is the civic force he was describing, and a young person who has put their hands in their county’s soil has a reason to be responsible for it that no lecture on citizenship could supply.

He also wrote that health is membership, that no body is well alone, and that a person’s health is inseparable from the health of the community and the land that hold them. That sentence is the older sibling of everything this company has tried to say about formation. You cannot process someone into belonging. You can only let them stay long enough, in a place cared for well enough, that affection has time to take root. Berry stayed for ninety-two years and gave the rest of us permission. The decent thing now is to keep sticking.

Notes and Sources

The line his neighbors quoted, that the forest does not withhold itself from death, is Berry’s own, carried in the Kentucky obituaries of late August 2026 with the sentence before it, that when a life is over the decent thing is to die.

Culture and agriculture as one word: Wendell Berry, The Unsettling of America: Culture and Agriculture (Sierra Club Books, 1977).

Boomers and stickers: Wallace Stegner, Where the Bluebird Sings to the Lemonade Springs: Living and Writing in the West (Random House, 1992). Berry took the distinction up in his 2012 Jefferson Lecture, It All Turns on Affection: The Jefferson Lecture and Other Essays (Counterpoint, 2012), which is also the source for citizenship as local affection with responsibility attached.

Health as membership: Wendell Berry, “Health Is Membership” (1994), collected in The Art of the Commonplace: The Agrarian Essays of Wendell Berry, edited by Norman Wirzba (Counterpoint, 2002).

The pastor in Hilltop, the executive on the island, and the families on the avenue are real; they are named nowhere here and hold their own stories.

Two companion essays carry this forward: The Dignity of Owing, on the bond he described and how a neighborhood helps, The Membership, a practical ethos for the people who stay, and Where to Stand, on beside, in front, and at the table.

The works in these notes open their cards on the Lineage Shelf, with doors to borrow them or buy them.


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